Title: Amarilli. Music: Giulio Caccini (–). Text: Guarini. Sheet Music. Important note: This Baroque Italian aria is perhaps best known as it appears in. Lyrics Amarilli mia bella. Non credio del mio cor. Dolce desio. D’eser tu l’amor mio? Credilo pur. E se timor t’assale. Dubitar non ti vale. Aprimi il peto. E vedrai. (and a Few Answers). TIM CARTER. AMARILLI, mia bella is the best known of the solo madrigals t. Caccini included in his Le nuove musiche of ‘ The tex.

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Songs for Seven Centuries. Italian text Amarilli, mia bella Non credi, o del mio cor dolce desio, D’esser tu l’amor mio?

A Feast of Sumptuous Harp Music. Naxos Javascript not enabled. The Spirit amxrilli Florence. Moli, Cross posting by Art Song Central.

Caccini – Amarilli, mia bella sheet music for Voice –

Amarilli, mia Bella Composer: Giulio Romolo Caccini also Giulio Romano 8 October — buried 10 Decemberwas an Italian composer, teacher, singer, instrumentalist and writer of the very late Renaissance and early Baroque eras. Creative Amafilli Attribution 3.

Public Domain Edition notes: Caccini’s preface includes musical examples of ornaments—for example how a specific passage can be ornamented in several different ways, according to the precise emotion that the singer wishes to convey; it also includes effusive praise for the style and amusing disdain for the work of more conservative composers of the period.

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Amarilli mia bella, for voice & continuo (from Le nuove musiche)

With Caccini’s abilities as a singer, instrumentalist, and composer added to the mix of intellects and talents, the Camerata developed the concept of monody —an emotionally affective solo vocal line, accompanied by relatively simple chordal harmony on one or more instruments—which was a revolutionary departure from the polyphonic practice of caccni late Renaissance.


The Age of Revolutions, Little is known about his early life, but he was born in Italy, the son of the carpenter Michelangelo Caccini; he was the older brother of the Florentine sculptor Giovanni Caccini. The work has become a favorite with young singers, as the range is tiny only a ninth from the highest note to the lowest but still provides a chance to show off control and phrasing.

The text is somewhat exaggerated, “Amaryllis, my beauty, don’t you believe, my heart’s sweet desire, that you are my love? Credilo pur, e se timor t’assale, Prendi questo mio strale, Aprimi il petto e vedrai scritto in core: In other projects Wikimedia Commons.

Super Artists on Super Audio, Vol. Also during this time he took part in the movement of humanists, writers, musicians and scholars of the ancient world who formed the Florentine Cameratathe group which gathered at the home of Count Giovanni de’ Bardiand which was dedicated to recovering the supposed lost glory of ancient Greek dramatic music.

The Italian Lute Song. The Legendary Dame Janet Baker. Views Read Edit View history.

AllMusic relies heavily on JavaScript. His influence as a teacher has perhaps been underestimated, since he trained dozens of musicians to sing in the new style, including the castrato Giovanni Gualberto Magliwho sang in the first production of Monteverdi ‘s first opera Orfeo. Most of the madrigals are through-composed and contain little amarili some of the songs, however, are strophic.

The very last lines, cacciini their repetition of “Amarilli, ” are more closely linked than the preceding phrases, giving an increasing sense of urgency than the previous phrases. ByCaccini was singing at the Medici court. Creative Commons Attribution-NonCommercial 4. Retrieved caccinni ” http: Please enable JavaScript in your browser to use the site fully. David Newman submitted Giuseppe De Luca, Vol. Productions du Moliantegok, This page was last edited on 1 Decemberat wmarilli On one occasion, he informed to the Grand Duke Francesco on two lovers in the Medici household—Eleonora, the wife of Pietro de’ Mediciwho was having an illicit affair with Bernardino Antinori —and his informing led directly to Eleonora’s murder by Pietro.


History of Baroque Music. Portrait of a Legend. The original version of the solo madrigal printed in facsimile in Amarillli Patton’s remarkable edition of Early Italian Arias and on the traditional edition of Arie Antiche edited by Alessandro Parisotti in the s. Work Title Amarilli Alt ernative.

Amarilli, mia bella (Caccini, Giulio)

Florence and Venice were the two most progressive musical centers in Smarilli at the end of the 16th century, and the combination of musical innovations from each place resulted in the development of what came to be known as the Baroque style.

Angelo Dias submitted This likely explains why the collection is often dated to According to his own writings, his music and singing met with an enthusiastic response. English translation Amarilli, lovely Amarilli Believest thou not, oh my heart’s sweet desire tis thee my heart aspires?

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