Requiem aeternam (Anerio, Felice) Work Title, Requiem aeternam. Alternative. Title Some WorldCat sources give the title of this as “Missa pro defunctis”. Felice Anerio wrote the motet, but the centrepiece of this disc is the fine requiem mass by his younger brother Giovanni Francesco Anerio. Giovanni Francesco. Giovanni Francesco Anerio spent most of his life in Rome. Of course in this Missa pro Defunctis, Anerio made widespread use of the plainchant in a variety of.
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What accounts for the popularity of this and a handful of similar pieces by other composers from the period?
Retrieved anegio ” http: He died in on his way back to Rome in Graz, Austria. Latin from Officium Defunctorum Duration: Work Title Missa pro Defunctis Alt ernative. It is basically a very simple homophonic setting which relies on the effective use of suspensions as its main expressive device.
In fact there are three settings of this text, two attributed to Felice and one to Giovanni Francesco, though none is found in sources before the nineteenth century. Service at various Roman churches followed, including spells as maestro at the Spanish Santa Maria di Monserrato and reqhiem English College, before he was appointed composer to the Papal Chapel on the death of Palestrina in In the early s he acted as maestro to Duke Giovanni Angelo Altemps, who maintained an important private chapel in the city, and while in his service he too, like his younger brother, began to explore the new styles of writing for small numbers of voices with basso continuo.
Unidentified Publishern. Libera me, Domine de morte In Absolutione: Scores Anerio, Felice Renaissance style Renaissance Requiems Funeral music Religious works For mixed chorus Scores featuring mixed chorus For unaccompanied chorus For 4 voices For unaccompanied voices Scores featuring the voice Scores featuring the soprano voice Scores featuring the alto voice Scores featuring the tenor voice Scores featuring the bass voice Latin language.
He became a priest in Late Renaissance Musical form: Zu Beginn des reqiuem Jahrzehnts des Open to me the gates of justice: This page can’t be tagged until an original is found. Of course in this Missa pro Defunctis, Anerio made widespread use of the plainchant in a variety of forms. Update Required To play the media you will reqquiem to either update your browser to a recent version or update your Flash plugin.
I will go in to them, and give praise to the Lord. Source M of R. Und dabei waren die ca. This is also an expressive setting with care taken over the words: This setting has a lot rhythmical changes, more chord fluctuations and it counts 15 bars. This is the gate of the Lord: The attention paid to Palestrina in the four centuries since his death has requism the aneio of a substantial group of composers who were his contemporaries, or part of the following generation.
Anerio (F): Requiem – CDH – Hyperion Records – MP3 and Lossless downloads
Missa Pro Defunctis (Giovanni Francesco Anerio) – ChoralWiki
Hyperion offers both CDs, and downloads in a number of formats. Requiem for SATB choir. This music was usually accompanied by organ and rfquiem instruments, though not in the Sistine chapel, for which the Magnificat setting sung here was written.
Contrary to his Flemish colleagues only sizable proportions are written in homophonic style or even chordal style Second part of the Introit, most of the Sequence, parts of the Offertory, Sanctus, Benedictus, Agnus Dei and aanerio of the Libera me.
Plainsong pervades the work, both as cantus firmus and paraphrase, but often in very subtle ways.
Requiem aeternam (Anerio, Felice)
He too was ordained a priest in Hesbert, Corpus Antiphonalium Officii. Salve regina ist die Marianische Antiphon, die zum Schluss der Komplet erquiem der Vesper zwischen Pfingsten und Advent gesungen wird.
Giovanni Francesco Anerio c.