View Guido Crepax’s artworks on artnet. Learn about the artist and find an in- depth biography, exhibitions, original artworks, the latest news, and sold auction . Area(s), Artist, writer. Notable works. Valentina Anita Histoire d’O Belinda Bianca. Guido Crepas (15 July in Milan – 31 July in Milan), better known by his nom de. Anita Crepax is on Facebook. Join Facebook to connect with Anita Crepax and others you may know. Facebook gives people the power to share and makes the.
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Not that I am. Sam Keith is someone no one including me pay enough attention to.
Crepax, Guido – Bibliographie, BD, photo, biographie
And it is in these stories that I think Crepax is at his best—because I think that at his core, that is what ceepax is best at conveying his passion for. People ran so hardcore away from Liefeld—but characters popping out of and through panels is something you SHOULD be doing in an action comic.
The fact is, Guido is a voyeur by nature. Mauro added it Jun 12, She has no profession; she could perhaps, be a student.
The Anita Live series is one of my favorites.
On pages like this—he kind of segments off a quarter of the vertical anjta of one of his pages—in these instances the left side of the page—so the left side will have a longer vertical rectangle going down the side of the page—and then the right side of the page will have smaller panel sort of zig-zagging their way down the page—which creates a tension as a reader—because take the third page here as an example—I think your natural inclination even with the rule of speech bubble eye following IS to go down the vertical left section of the page like a scroll and THEN move back up to the top.
That is some break your mind composition.
I love that kind of thing. This book is not yet featured on Listopia. Want to Read Currently Reading Read.
Books by Guido Crepax. The first and creapx panel are amaaaazing. Panels are just one of many ways you can drag time across the page in comics.
Alexandre Loth added it Jan 21, Which makes sense, because these works are very concerned with having the most page space possible, while still doing Crepax things. I mean it should exist even more in western comics, given how compressed the action in our comics is. The composition is actually very much an exclamation mark in shape.
To see anota your friends thought of this book, please sign up. And that hard square line holding in a set pattern that the characters pose over is a whole other kind of dynamic comic making shit that I will get into in the next part of this series. I like it a lot.
Guido Crepax | artnet
ainta Want to Read saving…. Beyond the composition of his pages—one of the things I love about Anita Live and Emmanuelle is how long and languid his characters are. Rob Liefeld X-force comics are the realest thing. Bianca, Emmanuelle, Venus in Furs.
It takes a singular moment in time and refracts it through comic time to create this lovely sort of slow mo stuttering effect. Print This probably speaks a lot to my adoration of the Bianca stories—because they are the primacy of the image and the sequence. Just a moment while we sign you in to your Goodreads account.
Tag Archives: Guido Crepax
Poirot77 added it Jul 11, There are sections of Valentina that are very much like Bianca in how they transition seamlessly through different narrative tracks. The above page is from Bianca. Larsen was on twitter the other day saying one of the editors for one of the big two had a rule about artists having to keep their characters inside of the panel boundaries—which is such a hysterically wrong rule for specifically superhero comics.
Preview — Hello, Anita!
I feel that Crepax, particularly in Bianca creates rhythms that are important in this direction. And the way those chopped panels set off the longer beautiful panels.
And it plays with the flatness of the page and the panels.