Arturo Sandoval is by all accounts one of the great trumpet players of all time. He is unique in that his “giant ears” captures it all – the nuances, the technique, the. Pro Sound News. Arturo Sandoval’s Trumpet Evolution Heads to Latin Grammys Author: Roger Maycock. Arturo Sandoval has evolved into one of the world’s. The Very Best of Arturo Sandoval. Dear Diz (Every Day I Think of You). A Time For Love. Hot House. Ultimate Duets. Swingin’.
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Gary, Jerry, and everyone else involved with this album gave their all, and it shows. Drinking Hanging Out In Love.
Social Media Music Jeff Goldblum: And that word is not overused. Tribute, not originality, is his goal. La Virgen de la Macarena Antonio Calero.
In this painstaking project, Arturo Sandoval reconstructs three classical and 16 jazz trumpet performances by masters of the instrument, from Louis Armstrong to Wynton Marsalis. Sandoval duplicates evolutoon solos in arrangements meticulously transcribed mainly by Ed Calle. In the booklet, either the musician paid tribute to or a relative or associate offering quotes, of course, praise Sandoval ‘s work.
Trumpeter Arturo Sandoval is one of those cats who can never be predictable. Trumpet Evolution, released in May on the Crescent Moon label, is considered by many to be the finest moment of Sandoval’s long career and one of the greatest jazz records produced in years. Aside from enjoyment, this repertoire adventure has two listener benefits. Indeed what appears in the ear of the listener seems to be the creation of the impossible.
Trumpet Evolution by Arturo Sandoval on Spotify
La Virgen de la Macarena. Previous Article reviews Xmarsx: The drums were set up in an isolation booth for separation.
His contribution is noteworthy as well for its depth and warmth overall. Concerto in D Major: I Can’t Get Started. Next Article reviews Aaron Neville: He’s either amazing artkro actually, technically he always is — or his records are putrid exercises in hollow proficiency with no soul.
Great Saxophone Trio Albums. Since defecting to the United States inhe has not only expanded his circle of influence within the classical community, he has established himself as one of the most acclaimed jazz trumpeters in the world.
Arturo Sandoval: Trumpet Evolution
Top 50 Albums of JazzTimes It isn’t just playing tunes by these men — whose tracks are sequenced in order of birthdate of the source of inspiration — it’s the mastery of their techniques; and given that there are 19 subjects here, that’s a hell of a lot of mastery. Jazz Latin New Age.
Throughout the entire project, we recorded Arturo with a Royer R, which we positioned anywhere from one to three feet from the bell of the horn. Chosen as co-producer because of his expertise performing and recording the trumpet, Gary Grant not only selected the engineers for the sessions, but also had considerable influence on all aspects of the album, including equipment decisions.
Roger Maycock Arturo Sandoval has evolved into one of the world’s most acknowledged guardians of jazz trumpet and flugelhorn, as well as a renowned classical artist. Trumpet Evolutionwhich is literally a journey through the great trumpeters from jazz’s and orchestral music’s past, is easily the finest moment of Sandoval ‘s long career and one of the greatest records jazz has produced in the preceding two decades.
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Because he is such a powerful player, he can move so much air through the horn that he distorts most microphones. The emotional sonances of these tunes ring as true as if Sandoval wrote them himself.
Concerto for Cootie Duke Ellington. Most of the tracks are virtual copies of the original recordings. Among the various tracks on the album, Arturo recorded the Shorty Rogers tune Maynard Ferguson, where he was playing as high as G above double C.
Then, there is the matter of homage; according to his liner notes, Sandoval genuinely admires his models. Joy Spring Clifford Brown. Introspection Late Night Partying. One can only imagine the study, concentration, woodshedding and experimentation with instruments and mouthpieces that went into imitating so wide a range of styles.
Sandoval has compiled a collection of tunes by composers and fellow horn players, from King Oliver to Wynton Marsalisperformed by a big band and, when needed, an orchestra, too.
This is a record so fine, so full of passion, grace, and elegance it simply needs to be heard to be believed. Jones, Hey, and Grant—all accomplished trumpeters—noted this particular trumpet was very difficult to play, which makes Arturo’s brilliant playing on Manteca even more admirable. Why did Sandoval go to so much work to reproduce perfection? Because he can, I suppose.