The Kuchipudi style follows Natyashastra more than any other dance form in India. Asamyuta Hastas – gestures of one hand carrying a certain semantic load. One of the most striking features of Indian classical dance is the use of hand gestures. So vast are the subtleties expressed in the hand gestures of hasta that the Bharatanatyam · Kathak · Kathakali · Kuchipudi · Manipuri · Mohiniyattam. Hastas / Mudras (hand gestures) are primarily classified as 28 Asamyuta Hastas ( one-hand gesture) and 24 Samyuta Hastas (two-hand gestures).

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List of mudras (dance) – Wikipedia

If all fingers of the Sarpasirsha hasta are stretched out and bent forward besides the thumb and the little finger which are raised upthen it is the Mrigasirsha hasta. There is difference in the demonstration itself.

This form of dance is as prehistoric as Natya astra 1st century BC. Sattvika Abhinaya dominates mainly in Nataka dramaAngika abhinaya is expressed in Nritta pure dance, technique and they are hatas equally strong in Nritya solo dance.

To show a bird called Garuda. It is used to represent the bride and the groom, excessive weight, embracing a pillar. Asamyuta Hastas – gestures of one hand carrying a certain semantic load. It is used to show opening of the windows, doors etc.


It is used to express patience, intoxication, arrogance. Among the texts on the theory of dance two most competent sources are distinguished: To show shanku Conch. When two hands in the Arala position are crossed and lifted up towards forearms, it is the Utsanga hasta. When the little finger is raised up, the ring finger is kept bent and the other three fingers are separated, it is the Langula hasta.

Nattuva Mela and Natya Mela. Over the centuries as the performances were dedicated to the worship of Vishnu, the form came to be known as Bhagavata Mela Natakam. Besides, the meanings of hastas are divided into three groups:. This page was last edited on 20 Septemberat This mudra is used to display clouds, the sky, forests, sea, seasons, the earth. The graceful, lasya oriented Kuchipudi gives significance to Vakyartha abhinaya go together.

About Kuchipudi Dance History Delhi

Viniyoga Sloka Etasyaviniyogastu Varaharthe tu Yujyate. Hotra sacrifice asamyura, Havya a ritual of fire offeringan umbrella, a garland kychipudi flowers, churning. One can express almost everything in dance with the help of hastas, but their usage must not be isolated from the body movements and the meaning must necessarily be supported by expressions of face and eyes.

Sattvika Abhinaya – the expression through bhavas, i. This is a list of only a few hastamudras. When all fingers are separated from one another and are turned towards the palm in a circular way, it is the Alapadma hasta.

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When two hands in the Katakamukha position are crossed at the wrist, it is the Kataka Vardhamanaka hasta. When the middle finger and the thumb touch each other and the forefinger is bent and the other two fingers are separated and raised, it is the Bhramara hasta.

This page describes the different hand gestures used in Bharathanatyam. Viniyoga Sloka Neeraajenavidhou baala Vaari Phaladikrehanaepicha Sandhyayaam marghyadaanecha Mantrapushpecha yujyathae. In dance they are realized as sattvika, hasgas and angika abhinayas respectively. When two hands in the Sarpasirsha position are closely pressed luchipudi each other, it is called the Pushpaputa hasta. When the ring finger of Arala hasta kuchipuei bent, it is the Shukatunda hasta.

This is mudra is used to express feeling of touch, anger, jealousy.

Theory of the dance. Hastas and Abhinaya

Each aspect of Ukchipudi, or the expressive means available to people, is given a detailed description in such competent treatise as Natyashastra written by the great Bharatamuni. When two hands in the Arala position are crossed vertically at the wrist and are shifted to the left, it is the Swastika hasta.

When two hands in the Anjali position are folded as if holding a dove, it is the Kapota hasta.

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