Title: Beatus vir II Composer: Claudio Monteverdi. Number of voices: 5vv Voicing: SATTB Genre: Sacred, Motet. Language: Latin Instruments. General Information. Title: Beatus vir () Composer: Claudio Monteverdi Lyricist: Number of voices: 7vv Voicing: SSSATTB Genre: Sacred. The first ‘Beatus vir’ is one of the most attractive and inspired settings of the Selva morale and one of the few sacred works of Monteverdi’s later years that has.

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The musical setting is constructed in three sections: They were published in eight volumes, composed over a period of some 40 montevredi, and in them he introduced adventurous, chromatic harmony and instrumental accompaniments. Though Monteverdi was not the first to compose operas, his Orfeo is recognised as the first truly dramatic example. King David was regarded as the author of the psalms, and many initials included depictions of him, so serving also as author portraits ; [7] the rounded compartments of the letter “B” often allowed two scenes to be shown.

Commons category link is on Wikidata. Pieces called Beatus vir are catalogued by Marc-Antoine Charpentier several: By using this site, you agree to the Terms of Use and Privacy Policy.

Beatus vir qui timet Dominum II (Claudio Monteverdi) – ChoralWiki

Beatus vir I a 6 voci concertato composer. In illuminated manuscript psalters this start was traditionally marked by a large Beatus initial for the “B” of “Beatus”, and the two opening words are often much larger than the rest of the text.

Creative Commons Attribution 3. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Between them these often take up a whole page. Blessed is the man that feareth the Lord, that delighteth greatly in his commandments. In the second A section he produces particularly vivid musical images of the wicked man, his desires thwarted, gnashing his teeth in angry envy of the admittedly rather smug righteous and blessed man.

Psalm 1 naturally begins the text of the Book of Psalms. The Cambridge SingersJohn Rutter conductor. Duration 8 minutes Composer Bwatus Period Comp. The piece is scored for six-part chorus and soloists, with organ, basso continuo and two montevsrdi violin parts.

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In other projects Wikimedia Commons. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

He revolutionised the monfeverdi of the theatre and the church with his dramatic and imaginative use of instruments and voices, and with his daring harmonies.

The King’s ConsortRobert King conductor. Greatly enlarged beatus initials go back as least as far as the Corbie Psaltermade at Corbie Abbey soon after Psalm has been included in various places in Western Christian liturgyespecially in the context of vespersand has been rather unusually popular for musical settings, which are generally known by their opening words, “Beatus vir”.

In Monteverdi was appointed Master of the Music at St.

Figures returned during the 11th century. Don’t show me this message again. Without doubt, Monteverdi was the greatest of the Italian Renaissance composers. AMG gives the instrumentation as double choir, strings and organ.

Altogether the monreverdi occurs 14 vor in the Vulgate text, eight times in the Book of Psalmsand four in the rest of the Old Testamentwith neither of the New Testament uses from the Gospels. Today probably the best known monteveri Claudio Monteverdi ‘s setting ofSVfrom his Selva morale e spiritualealso known as the Vespers of Work Title Beatus vir, qui timet Dominum Alt ernative. Retrieved from ” https: To those using these notes You are more than welcome to use all or part of these notes for your choral society or church programme, or for educational purposes.

Retrieved on July 15, The site is also available in several languages. The Sacred Music, Vol. Other divisions of text produced different groupings, of eight or ten groups, but all had a group beginning at Psalm 1.

The description above is pretty clear though- 6 voices, plus 2 violins, 3 violas-or-trombones, continuo; as given.

Beatus vir qui timet Dominum II (Claudio Monteverdi)

Their highly dramatic character anticipates on a small scale many of the stylistic devices he later employed to such powerful effect in his operas. Genre Categories Psalms ; Religious works ; For 6 voices, 2 violins, 3 violas, continuo ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Scores featuring the violin ; Scores featuring the viola ; Scores with mongeverdi continuo ; For voices with solo instruments ; For 6 voices, 3 trombones, 2 violins, continuo ; Scores featuring the trombone ; Latin language.


Beatus initials have been significant in the development of manuscript painting, as the location of several developments in the use of initials as the focus of painting. As the “initial par excellence it stimulated the ornamentalizing impulse of the medieval artist to ever-increasing heights of fantasy”.

Beatus vir qui timet Dominum (Claudio Monteverdi)

Illuminated psalters Psalm settings Vulgate Latin words and phrases. In psalters of the Early and High Middle Ages there were often similarly large initials at the start of Psalm 51 52, “Q” for “Quid gloriaris” and Psalm”D” for “Domine”[5] marking traditional groupings of the psalms. Contents 1 Performances 2 Sheet Music 2. He remained there monetverdi his death indevoting his time to directing the choir monteveedi composing a series of wonderful sacred pieces which spread his fame throughout Europe.

Authorized Version Psalm Blessed is the man that walketh not in the counsel of the ungodly, nor standeth in the way of sinners, nor sitteth monteverid the seat of the scornful. In bibles the first letter of each book was also enlarged and illuminated in grand manuscripts, producing more beatus initials.

In each case, the words are used to refer to frequent and significant uses of these psalms in art, although the two psalms are prominent in different fields, art in the case of Psalm 1 and music in the case of Psalm

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