Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.

Author: Faugor Malaktilar
Country: Russian Federation
Language: English (Spanish)
Genre: Technology
Published (Last): 19 December 2011
Pages: 72
PDF File Size: 1.70 Mb
ePub File Size: 17.40 Mb
ISBN: 271-8-55597-618-9
Downloads: 64048
Price: Free* [*Free Regsitration Required]
Uploader: Kazishicage

In Memoriam Cathy Berberian. Share on facebook twitter tumblr. Sexy Trippy All Moods.

Sequenza III (author’s note)

AllMusic Featured Composition Noteworthy. Drinking Hanging Out In Love. In order to control such a wide range of xequenza behaviour, I felt I had to break up the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units that were not discursive but musical.

Please enable JavaScript in your browser to use the site fully. AllMusic relies heavily on JavaScript. Jazz Latin New Age. The Great Works for Voice. Rainy Day Relaxation Road Trip. In the Voice Labyrinth.


Luciano Berio: Sequenza III

The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via the soprano’s evocation of particular expressive formulas: For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian. Romantic Evening Sex All Themes. The text had to be homogeneous, in order to lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units.

Genre Vocal Music Classical. Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner.

The voice carries always an excess of connotations, whatever it is doing. One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s. Nel labirinto della voce.

Streams Videos All Posts. Sequenza III is a piece very much of its era, paralleling other experiments in vocal music and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures Il contenuto di questa pagina richiede una nuova versione di Adobe Flash Player.


Sequenza III, for voice | Details | AllMusic

Ricerca Search this site: Karlheinz Stockhausen, Luciano Berio. Songs for Seven Centuries. Introspection Late Night Partying. Although Berio and Berberian divorced in the mids, their musical collaboration continued into the s.

Is this the most bizarre and technically difficult piece of vocal music ever – Classic FM

Give me a few words for a woman to sing a truth allowing us to build sequenzaa house without worrying before night comes. In Sequenza III I tried to assimilate many aspects of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing. From the grossest of noises to the most delicate of singing, the voice always means something, always refers beyond itself and creates a huge range of associations.

Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques.

Author: admin