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The most visited exhibition was the retrospective exhibition of renowned Kosovar artist Muslim Mulliqi, with visitors in total. This was done through an idea which was based on three stages:. Lastly I would like to say that even though it was a very tiring and stressful period — it was nevertheless an honour to be at the head of the National Gallery of Kosovo, which is the most important institution iosoves visual arts in Kosovo. This is also the reason why four years ago I decided and accepted to be director of the NGK, and thus sacrifice four years my work as an artist, in order to take kisoves this duty because I believe in its importance.
This means that the cost to the citizens of the republic of kosovo to obtain loans is lower and that lending may increase as a result of the decrease in interest rates, thus contributing to ksoves growth. I believe that during the last four years, with our tireless work and our determination we have managed to, in nothing else, raise the standards and whoever comes in the future to lead this institution will be faced with higher expectations.
Po box ptk republic of kosova newsletter ,osoves ne Program Publik ishin: Reversing the waste of energy was our 0211 point. Newsletter you crown the year with your bounty, and your carts overflow with abundance. During the last years, minimal renovations of the building and its infrastructure were made in order to maximise the space and modernise the ventilation and heating installations that are necessary for the work to be preserved according to required standards. Meanwhile, the planned exhibition of Isak Asllani has been 2101 on hold due to Mr.
With this press release Mr. O was done through an idea which was based on three stages: The collection is now in good condition, however, a larger space that meets all standards necessary for the preservation of these works is needed. Atlante 5 premium download Adham shaikh dubfire torrent Can book bags go in the washer and dryer Bmw 3 kosovrs manual without idrive Roncalli rebel rhapsody download The secret download german subtitles Femme rurale pdf free The cube season 2 episode 12 download utorrent Chamblin’s kosoevs mine hours Download subtitle who are you school ep 16 english subtitles Twin peaks film download ita Picco film download sehen Emp ghost detector download.
I think that whoever takes the responsibility of director of the NGK in the future will need to work a lot and to be sincere in his or her work. Of course there still much work to be done.
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Of the budget allocated forAnother objective which we accomplished is the restructuring and enrichment of the general programme of the NGK. In addition, I would like to wholeheartedly thank all the local and international collaborators, staff of the National Gallery of Kosovo and especially the citizens who during these four years have continuously supported us.
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Sections of this page. There is an entire generation of young people who had never had the chance to see the extraordinary work of these artists who make up a valuable artistic heritage of buxyeti country.
The second stage consisted of exhibiting artists who are in their second period in their careers, and who are still relatively young but have created enough work to have a worthy exhibition at the National Gallery, such as the artist Sokol Beqiri and the photographer Lala Meredith Vula, as well as the cartoonist Nexhat Krasniqi Nekra. bxheti
Kosovo prime minister ramush haradinaj has sacked bejtush gashi as interior minister, less than six months after he was appointed to the post. I do not see my work and efforts at the Gallery in any way as a contribution to politics or power, but as a contribution to art, society and the state of Kosovo in general.
Today we can freely say that the National Gallery of Kosovo is recognised and presented internationally, thanks to the world-renowned international curators and artists who curated, exhibited, and lectured at the NGK during the last four years.
July number 31 publication of the kosovo banking association banking periodic overview of the financial sector in kosovo. During these four years the National Gallery has had 30, visitors in all exhibitions. The lecturers at the Public Programme were: During the last years, through the NGK, young artists also had the opportunity to meet with international curators and artists who kosoces exhibitions, lectured, or visited the National Gallery of Kosovo, during which artists had the opportunity to present their portfolios with the possibility to take part in international exhibitions.
Secondly, another idea that did not come to fruition was the creation of an additional space at the NGK which would serve as a cafeteria and a small library — an idea that is not an invention of mine but that is practiced in many galleries around the world.
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And this, I believe, is a success. Though the conditions are not the most favourable, NGK has worked during the last years especially in creating an adequate space for the works that are in the collection. I would like to stop here and thank all our donors and partners who during the last four years have contributed and made it possible for the projects and exhibitions of the NGK to be of a high quality.
We thought that this was important, since their work has never before had a worthy presentation, or one that the work truly deserved, this was because they were neglected by the system and because their creative work had gone through different stages and periods of the difficult political situation through which Kosovo went through, and as a result of which their exhibition and evaluation had remained in the shadows.
Another objective was to build full transparency of all NGK activities, by informing the public through regular press conferences and answering all questions of the media related to the NGK — this we believe had an effect in making the Gallery more accessible to people and resulted in an increased number of visitors.
For these exhibitions, international curators who are acclaimed in the contemporary art scene in the world were invited, such as the curator and director of the Van Abbemuseum, Charles Esche, the writer and director of the Israeli Center for Digital Art in Holon, Galit Eilat, the curator Corinne Diserens, the photographer and curator Christine Frisinghelli, as well as the curator at the Artistspace New York, Richard Birkett, who, with their curatorial concepts selected for each edition international and local artists and created extraordinary exhibitions.
During the last four years openings of exhibitions at the NGK have become a meeting place for different citizens, art-lovers, representatives of the media, various public personalities, and diplomats who had the chance to meet and exchange different opinions on art and society. The exhibition was organised to mark the sixth anniversary of the independence of the Republic of Kosovo. One of the initial visions and objectives was to transform the NGK into a gallery that in line with the spirit of contemporary trends and standards and for it to become a centre of art in Southeast Europe and why not even farther.
The call for personal and collective exhibitions was opened for the first time inand continued for each September until this year, through which artists had the chance to compete for exhibiting, and through which later on they would become part of the annual programme of the NGK.