Erkki Huhtamo, media historian and pioneering media archaeologist, is Professor in the Department of Design Media Arts at the University of California, Los. Visit ‘s Erkki Huhtamo Page and shop for all Erkki Huhtamo books. Check out pictures, bibliography, and biography of Erkki Huhtamo. Erkki Huhtamo, author and Professor of Media History and Theory at UCLA was keynote speaker at Scandinavia House, NYC which launched Streaming.
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Erkki Huhtamo – Collector
A wide array of ideas have provided inspiration for media archaeology. Media archaeologists have concluded that widely endorsed accounts of contemporary media culture and media histories alike often tell only selected parts of the story, and not necessarily correct and relevant parts. Views Read Edit View history. However, there are other theoretical and critical contributions that have contained seeds of media archaeology.
ERKKI HUHTAMO – ADA | Archive of Digital Art
His collection numbering in the thousands of antique magic lanterns, peep show boxes, miniature moving panoramas and related artifacts is one of the largest of its kind.
Huhtamo has co-curated a series of retrospective exhibitions dedicated to first rank media artists of international renown. I also write about contemporary art, and have curated quite a few exhibitions in different countries. Whether we speak of cultural materialism, media art history, new hkhtamo or software studies, the essays compiled here provide not only an anthology of innovative ekki case studies, huthamo also a methodology for the future of media studies as material and historical analysis.
Huhtamo’s approach does not only identify topoi, trace their trajectories, and explore the circumstances of their reappearances. The observing and sensing subject became the organizing entity for highly heterogeneous material, giving the book at times a fiction or diary-like quality, although it was defined as a “cultural history.
Stay tuned for more. An Archaeology of Mobile Media. These works do not necessarily even reveal their media-archaeological inspiration at first look, yet they create a cyclical motion in huhtammo way many media archaeologists no doubt endorse. Lev Manovich’s The Language of New Media was a historically tuned version of new media theory that built on cinema studies and film theory.
Historiscope – A Panorama and History of America. Media Archaeology, Art, and Everyday Life Media archaeology may not have organized itself as a discipline; it may be loitering at the periphery of institutions and drawing the attention of career academics previously eerkki to established disciplines; occasionally it may forget to define its own identity, or even ignore it, being erkki in the process of self-discovery.
For Elsaesser, one of the challenges is the reevaluation of the connections and gaps between media technologies.
Considering digitality as a rupture provides a conceptual way of seeing media history as a discontinuous enterprise subject to constant reevaluation. While this totalizing idea clearly derived from the ideology of the Geistesgeschichte, it may also bear certain similarities with the ways Foucault dealt with his “epistemes.
This page was last edited on 25 Decemberat Professor Huhtamo has applied this approach to phenomena like “peep media” a notion he has coinedthe screen, panoramas and dioramas, video games, and mobile media. Provide feedback about this page. With wide-ranging intellectual breath and creative insight, Huhtamo and Parikka bring together an eminent array of international scholars in film and media studies, literary criticism, and history of science in the spirit of making the discourse of the humanities legible to artist-intellectuals.
Warburg’s unfinished “Mnemosyne Atlas” which in some ways resembles Benjamin’s Arcades Project suggested a nonlinear way of understanding the temporal recurrence of images and their relations, raising also the issue of “intermediality” by pointing out motifs that shifted and transformed across what we would now call media platforms. In the early decades of the twentieth century, art history also began proposing ways of recontextualizing art within textual traditions and expanding its own reach to visual material that had traditionally been left outside its confines.
An archaeology of his “archaeology of knowledge” would be useful but cannot be developed here. However, their approaches differ in important respects. Marshall McLuhan introduced a new approach, new combinations, and new themes to the study of media. The Anglo-American tradition has valorized Foucault as a thinker who emphasized the role of discourses as the loci where knowledge is tied with cultural and social power.
Finnish Museum of Photography.
Years before Perriault, the word archaeology had been used in the title of C. Piece by piece, a narrative develops, but one that does not pretend to be complete or to hide its gaps. Bloom, author of French Colonial Documentary: One alternative is the recent influx of archaeologically oriented works concentrating on the audible dimension of culture and history. Journeys in Art, Architecture, and Film created a network of “journeys” across history treated as a place or a map in a non-linear fashion, triggered by the author’s “e-motions” and illness.
His work has often been aimed to excavate, resurrect and analyze neglected and forgotten media. The structure was usually linear, and different media forms were normally discussed in isolation from each other.
Perriault analyzed the relationship between what he called “use function” and “social representation. Anonymous History, Arcades, and the Museum without Walls Early media scholarship hubtamo associated with research on the impact of technology on human civilizations, typified by Lewis Mumford’s classic Technics and Civilization Zielinski’s position was influenced by his role as the founding director and later rector of the Academy of Arts and the Media in Cologne, which gave him an opportunity to build connections between media studies and experimental media practices.
Media archaeology is an emerging approach within media studies I have pioneered with a number of other scholars since the early s. Although the theoretical construct behind Audiovisions was more implicit than explicit as Zielinski himself admittedhe singled out the triad “technology-culture-subject,” identifying each of its elements with a recent intellectual tradition that had influenced him: According to Elsaesser, one of the goals of the new film history has been to explore the peculiar nature of the cinematic experience up until around Bolter’s and Grusin’s endeavor was not defined as “media archaeology,” but it has affinities with the ways media archaeologists draw parallels between seemingly incompatible phenomena.
Amazon Rapids Fun stories for kids on the go. It purported to place the new media “within the history of modern visual and media cultures. English Choose a language for shopping.
Approaches, Applications, and Implications. More recently, the debate on new huhtxmo has brought up themes and motifs that occupy media archaeologists as well.