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InPujol began his guitar classes at the Lisbon Conservatory of Music, which continued through to Views Read Edit View history.

Pujoll he undertook his first tour of South America, starting in Buenos Aires. Prior to his death, Pujol had begun work on the largest of vihuela music books, the Orphenica Lyra by Miguel Fuenllanapublished in Media related to Emili Pujol at Wikimedia Commons. Seven years later he married Maria Adelaide Robert, a noted Portuguese pianist and singer who greatly assisted him in his final years.

Emilio Pujol – Wikipedia

In other projects Wikimedia Commons. List of compositions by Emilio Pujol.


At this time, Miquel Llobet was making guajlra debut as a concert artist outside Barcelona. From throughPujol continued giving a few concerts and lectures as well as pursuing his research in Spain, London and Paris.

This name uses Spanish naming customs: This event became quite popular and was attended by students and teachers from throughout the world. Also at this time, Pujol’s first wife Matilde Cuervas died During the war years — he did not travel much and mainly remained in Catalonia.

Guajira – Emilio Pujol Song – BBC Music

From Wikipedia, the free encyclopedia. The beginning signs of World War II also prevented him from continuing his concert career.

Retrieved from ” https: Emili Pujol was born in the little village of Granadella just outside LleidaSpain. By using this site, you agree to the Terms of Use and Privacy Policy. It was repeated every summer over a ten-year period, and in it was moved to the thirteenth-century village of Cervera.


Retrieved 25 July ME numbers refer to the catalogue number of his publisher, Max EschigParis. He considered this book to be the pinnacle of the vihuela school and regarded Fuenllana as the final spokesman for this brief, courtly instrumental period in Spanish music.

This page was last edited on emiilio Septemberat Waltzes, arr from the piano Paris: The only major interruptions in his concert travels were his marriage to Matilde Cuervas in Paris, an Andalusian flamenco guitarist, and the period of time he devoted to historical research in Paris into the instrumental predecessors of the guitar.

A guitar method based on the principles of Francisco Tarrega consisting of four historical and technical volumes:.

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