Josquin Des Prez. Miserere mei deus (Psalm 51), motet for 5 parts. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. Miserere mei, Deus. composer. Josquin des Prez (c/). 5vv; probably composed for use during Holy Week in at the court of Ferrara. author of. Josquin: Miserere mei Deus. The Miserere, by Josquin des Prez, is a motet setting of Psalm 51 (Psalm 50 in the Septuagint numbering) for five.

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Miserere mei Deus” to My Music. The motto theme begins each time on a different pitch, with the recurrences moving stepwise down the scale from E above middle C to the E an octave below, then back up again to the opening E, and then down stepwise to A fifth below, where the piece ends.

Miserere mei Deus (Josquin Desprez)

After each verse of the Psalm see text belowthe ostinato enters one pitch lower on the Phrygian scale. The Organ Tablature from Klagenfurt. Introspection Late Night Partying. The predominant mode Josquin selects for his motet is the Phrygian, with a plangent half-step e to f in the opening phrase, and meii the tenor cantus firmus.

Due to the extreme length of the setting it might seem inappropriate for the liturgy, but the focus on Holy Week at Ferrara was well known, and in any case there are numerous spaces in the liturgy for extended meditations of the most austere kind, which this motet certainly is. After Savonarola’s execution, Ercole, then in his eighties, probably commissioned his newly hired composer, Josquin, to write him a musical testament, very likely for performance during Holy Week of The site is also available in several languages.

Daniel Reuss: Josquin des Prez: Miserere mei Deus – Music Streaming – Listen on Deezer

Later in the 16th century, composers who specifically set the words of Savonarola, such as Adrian WillaertCipriano de Roreand Nicola Vicentinoall of whom wrote motets on Infelix egoused Josquin’s work as a model. Intelligibility of sung text was not always a high priority for composers of the period, and this lack of intelligibility was a specific criticism Savonarola made of polyphonic music. At the end of the Maundy Thursday Mass, the altar and sanctuary are stripped of all their decorations, leaving only the bare framework of the table exposed.


Josquin’s Miserere and the Savonarolan Legacy.

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August Total duration: AllMusic relies heavily on JavaScript. Josquin’s setting of the Miserere was influential not only as a psalm setting, but as an example of how to approach the text of Infelix ego. The great Josquin Desprez betrayed knowledge of this meditation, writing for Duke Ercole I of Ferrarra another friend of Savonarola the first full-length polyphonic setting of this penitential Psalm.

The Renaissance in Music. The tenor sings the same phrase of two pitches twenty-one times in total.

During the s, the Duke of Ferrara, Ercole I d’Este, kept in close contact with Savonarola, who was also from Ferrara, and supported him in his efforts to reform the Roman Catholic Church.

It is an extended prayer to the God against whom he believes he has sinned, based closely on Psalm 51, and unified by a boldface-type repetition of the phrase “Miserere mei, Deus” throughout the text. And rather than maintaining the same pitch level for the cantus firmus, the litany-like ostinato begins on the pitch “e” and walks slowly down the scale. Rainy Day Relaxation Road Trip. Artists Popular All Recommended. It was one of the most famous settings of that psalm of the entire Renaissance, was hugely influential in subsequent settings of the Penitential Psalms, and was itself probably inspired by the recent suffering and execution of the reformer Girolamo Savonarola.


Somewhat unusually, the statements of this ostinato theme are divided by varying numbers of rests: Retrieved from ” https: Adieu mes amours Ave Maria Drinking Hanging Out In Love. It is an extended prayer to the God against whom he believes he has sinned, based closely on Psalm 51, and unified by a boldface-type repetition of the phrase “Miserere mei, Deus” throughout the text.

Find out more about our use of this data. Don’t show me this message again. The Miserereby Josquin des Prezis a motet setting of Psalm 51 Psalm 50 in the Septuagint numbering for five voices. Jazz Latin New Age. The Miserere is one of Josquin’s two “motto” motets, motets in which repetitions of a phrase are the predominant structural feature the other is the five-voice Salve Regina of several years before.

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From Wikipedia, the free encyclopedia. Savonarola highlights the prayer for mercy “Miserere” by repeating joxquin text in all capitals; Josquin’s setting does so by a uniquely repeating tenor ostinato, which seems to have sparked a century of homage pieces: This page was last edited on 24 Misererfat It is hardly surprising, given the quality of this and many others of his compositions, that the Low Countries musical community felt itself bereft when, on Tuesday 27 AugustJosquin died.

Music for a Medici Pope.

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