Lachrimae antiquae · *# – MB – Lachrimae antiquae Novae • 3. Lachrimae gementes Mr. John Langton’s Pavan • The King of Denmark’s. Discover John Dowland’s track Lachrimae Antiquae Pavan. Complete your John Dowland record collection. Shop new and used Vinyl and CDs. Lachrimae Antiquae Pavan official lyrics by John Dowland.

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Lines 8—10 are quoted in the Philip K.

The version in Thysius compiled? Directions for Further Research This study has only scratched the surface of a large topic and would be hugely enhanced by similar research into the multitude of similarly-transmitted English pieces that were popular across late-sixteenth and early-seventeenth century Europe.

Simon Groot has recently shown that much of lachrimqe music in this print is taken from printed sources either from England or with strong English connections, and has suggested that the cittern parts were produced either by Valerius or by someone within his circle, since they are derived from the vocal versions of the melodies. They may not be public domain elsewhere. Sir Henry Umpton’s Funeral The King of Denmark’s Galliard Contents 1 Performances 1.

For larger-scale repertory studies, such as a long-overdue assessment of all English instrumental music in lachrjmae th -century Continental sources, the laborious work of bar-by-bar comparison could be much eased by intervention from analysis software. Nicholas Gryffith his Galliard Instrumental versions by Dowland include “Lachrimae” for lute, ” Galliard to Lachrimae” for lute and “Lachrimae antiquae” for consort. Down vain lights, shine you no more! Pale printing, by darkening also the dust ‘profited’.


Earle of Oldenburge and Delmenhorst.

Flow, my tears – Wikipedia

Camphuysen gives another 2-part version, this time with a devotional Dutch text, supplied with instrumental divisions for both cantus and bassus by one Joseph Butler, a Londoner working in Amsterdam. Separated parts have been extracted and rotated for 1 part per page: IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

However, by the time Van den Hove added another setting to the Schele lutebook dated 16th Februaryhe had obviously experimented with other models, since the unorthodox AAiBCBiCi layout has been replaced with a more conventional AAiBBiCCi and the contrapuntal template differs somewhat. This page is only for complete editions and multiple selections from the collection here.

Lachrimae, or Seven Tears (Dowland, John)

These musical details suggest very strongly that the Herold setting is also the work of Van den Hove, something which is further supported by the fact that many of the pieces located nearby in Herold are either ascribed to him or were included in Pavn a year before Herold was copied from its exemplar. Please obey the copyright laws of your country. Captain Digorie Piper his Galliard From the highest spire of contentment My fortune is thrown; And fear and grief and lachrimas for my deserts, for my deserts Are my hopes, since hope is gone.

Katzbichler,pp. Although it is by no means a certainty, there is circumstantial evidence to suggest that a G minor setting preserved in a number of English manuscript sources may have originally lachrmiae from Dowland himself.

John Dowland’s “Lachrimae”

Transcription for 2 Guitars. Furthermore, close examination of the undivided strains reveals a greater similarity between the two versions than initially meets the eye or ear, although the divisions are largely unique. The Violin at the English CourtOxford: There are perhaps two main reasons for this, the most obvious of which is the size of its print-run; one thousand copies was immense for this period and the publishers presumably expected to sell every copy.


Because most of my Intavolations are never heard before, I decided to make a simple computer synthesized audio file for hearing control. This is a disparate group, with no clear sequential relationship discernible between them although this is perhaps unsurprising when one considers lachrkmae their period of compilation spans approximately 35 years.

The earliest sources for this setting are Dd. Problems playing this file? Creative Commons Attribution 3.

The kind of detailed comparative examination we have begun here on a modest subset of this corpus would only be feasible on the full collection let alone larger corpora with the aid of computer analysis software tools. Indeed, pavaan clumsy attempt at an inner voice suspension in bar 4iii-iv perhaps a misprint? The undivided strains employ essentially the same structural pitches throughout, suggesting that they are derived from a common harmonic template. This study has only scratched the surface of a large topic and would be hugely enhanced by similar research into the multitude of similarly-transmitted English pieces that were popular across late-sixteenth and early-seventeenth century Europe.

An early example of the exploitation of this model stems from none other than Dowland himself.

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